Lições dos Antepassados / Lessons from the Ancestors   (2011) Recording in tall grass during Binaural residency in Nodar, Portugal.  (photo: Manuela Barile/Binaural)
       
     
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   WAIS Reliquary: 68,000 Years   (2016), detail. Installation by artist Anna McKee. Dyed silk, 3405 glass ampules, water from melted ice cores drilled in Antarctica, wood, 8 channels of audio, derived from a recording of "playing" the glass ampules.
       
     
   Uprising   (2012). Collaboration with visual artist  Rick Araluce  at Suyama Space, Seattle. PVC pipe, wood, foam, paint; 10 channels of sound derived from a recording of the empty gallery, speakers embedded in pipes, heard through open pipe ends.
       
     
   The Very Rich Hours   (2009). Recording session with poet Lisa Gill at Ojitos Wilderness, NM.  LISTEN
       
     
   Here-ings: a sonic geohistory   (1999 - 2002). The LAND/an art site, Mountainair, NM (Aug. 2002 - Present) 24 stone/steel listening benches placed permanently on sites where recordings were made over one year; poems on benches evoking what was exp
       
     
   Alchemy   (2000). Nicolaysen Art Museum, Casper, WY (Jan. 17 - May 31, 2003). Collaboration with visual artist Christine Wallers. Spun brass, steel, 20 channels of audio. Sound derived from whispering voices of 32 people reading written responses