Lições dos Antepassados / Lessons from the Ancestors (2011) Recording in tall grass during Binaural residency in Nodar, Portugal. (photo: Manuela Barile/Binaural)
       
     
Gallery / Lições dos Antepassados
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Gallery / Mt. Waddington Reliquary
WAIS Reliquary: 68,000 Years (2016), detail. Installation by artist Anna McKee. Dyed silk, 3405 glass ampules, water from melted ice cores drilled in Antarctica, wood, 8 channels of audio, derived from a recording of "playing" the glass ampules.
       
     
Gallery / WAIS Reliquary
Uprising (2012). Collaboration with visual artist Rick Araluce at Suyama Space, Seattle. PVC pipe, wood, foam, paint; 10 channels of sound derived from a recording of the empty gallery, speakers embedded in pipes, heard through open pipe ends.
       
     
Gallery / Uprising
The Very Rich Hours (2009). Recording session with poet Lisa Gill at Ojitos Wilderness, NM. LISTEN
       
     
Gallery / The Very Rich Hours
Here-ings: a sonic geohistory (1999 - 2002). The LAND/an art site, Mountainair, NM (Aug. 2002 - Present) 24 stone/steel listening benches placed permanently on sites where recordings were made over one year; poems on benches evoking what was exp
       
     
Gallery / Here-ings
Alchemy (2000). Nicolaysen Art Museum, Casper, WY (Jan. 17 - May 31, 2003). Collaboration with visual artist Christine Wallers. Spun brass, steel, 20 channels of audio. Sound derived from whispering voices of 32 people reading written responses
       
     
Gallery / Alchemy